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1 on the R&B/Hip-Hop chart, thanks to the thousands of digital sales and millions of streams it was piling up. When I checked with Billboard in early 2015, asking if it would retroactively allow “Uptown Funk” onto the chart, now that it was breaking on urban radio-in fact, by April 2015, the song actually ranked fifth at R&B/hip-hop stations-it affirmed it would not, saying it still considered the song “a pop hit that is crossing over to R&B radio.” Again, I could see why it was reluctant to grandfather it in: If it had reclassified “Uptown Funk” as R&B at that late date, it would have, bizarrely, debuted at No.

This run by “Funk” would have preemptively beaten future record-setter “ One Dance” by Drake, an 18-week topper in 2016, and it would have beaten both “ The Honeydripper” by Joe Liggins and “ Choo Choo Ch’Boogie” by Louis Jordan, each of which spent 18 weeks on top in the 1940s, when this chart was called-I kid you not- Race Records. To be exact-based on my understanding of Billboard’s genre-charts methodology-had Ronson and Mars been allowed on that chart, “Funk” would have commanded it for 19 weeks, December 2014 through April 2015, an all-time R&B chart record. 1 on the R&B/Hip-Hop chart for a ridiculous period of time. Basically, “Uptown Funk” would have been No. Thinking like a chart analyst, however, I got why Billboard was making this category call-even if the reason seemed a bit cynical. Send me updates about Slate special offers.

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